Everything about Gustave Flaubert totally explained
Gustave Flaubert (in French) (
December 12,
1821 –
May 8,
1880) was a
French writer who is counted among the greatest
Western novelists. He is known especially for his first published
novel,
Madame Bovary (1857), and for his scrupulous devotion to his art and style, best exemplified by his endless search for
"le mot juste" ("the precise word").
Life
Early life and education
Flaubert was born in
December 12,
1821, in
Rouen,
Seine-Maritime, in the
Haute-Normandie region of
France. He was the second son of Achille-Cléophas Flaubert (1784–1846), a surgeon, and Anne Justine Caroline (née Fleuriot) (1793–1872). He began writing at an early age, as early as eight according to some sources. He was educated in his native city and didn't leave it until 1840, when he went to
Paris to study
law.
In Paris, he was an indifferent student and found the city distasteful. He made a few acquaintances, including
Victor Hugo. Towards the close of 1840, he travelled in the
Pyrenees and
Corsica. In 1846, after an attack of
epilepsy, he left Paris and abandoned the study of law.
Personal life
After leaving Paris, Flaubert returned to Croisset, close to Rouen, and lived with his mother. Their home near
the Seine became Flaubert's home for the rest of his life. Flaubert never married. From 1846 to 1854, he'd an affair with the poet
Louise Colet (his letters to her survive). According to his biographer Émile Faguet, his affair with Louise Colet was his only serious romantic relationship. He sometimes visited
prostitutes. Eventually, the end of his affair with Louise Colet led Flaubert to lose interest in romance and seek platonic companionship, particularly with other writers.
With his lifelong friend
Maxime du Camp, he traveled in
Brittany in 1846, and to
Greece and
Egypt in 1849. After 1850, Flaubert lived in Croisset with occasional visits to Paris and England, where he'd a mistress. He visited
Carthage in 1858 to conduct research for his novel
Salammbô.
Flaubert was a tireless worker and often complained in his letters to friends about the strenuous nature of his work. He was close to his niece, Caroline Commanville, and had a close friendship and correspondence with
George Sand. He occasionally visited Parisian acquaintances, including
Émile Zola,
Alphonse Daudet,
Ivan Turgenev, and
Edmond and
Jules de Goncourt.
The 1870s were difficult. Prussian soldiers occupied his house during the
War of 1870, and in 1872, his mother died. After her death, he fell into financial straits. Flaubert suffered from
venereal diseases most of his life. His health declined and he died at Croisset of a stroke in 1880 at the age of 58. He was buried in the family vault in the cemetery of Rouen. A monument to him by
Henri Chapu was unveiled at the museum of Rouen in 1890.
Writing career
In September 1849, Flaubert completed the first version of a novel,
The Temptation of Saint Anthony. He read the novel aloud to
Louis Bouilhet and
Maxime du Camp over the course of four days, not allowing them to interrupt or give any opinions. At the end of the reading, his friends told him to throw the manuscript in the fire, suggesting instead that he focus on day to day life rather than on fantastic subjects.
In 1850, after returning from Egypt, Flaubert began work on
Madame Bovary. The novel, which took five years to write, was serialized in the
Revue de Paris in 1856. The government brought an action against the publisher and against the author on the charge of immorality, but both were acquitted. When
Madame Bovary appeared in book form, it met with a warm reception.
In 1858, Flaubert traveled to
Carthage to gather material for his next novel,
Salammbô. The novel was completed in 1862 after four years of work.
Drawing on his childhood experiences, Flaubert next wrote
L'Éducation sentimentale (
Sentimental Education), an effort that took seven years.
L'Éducation sentimentale, his last complete novel, was published in 1869.
He wrote an unsuccessful drama,
Le Candidat, and published a reworked version of
La Tentation de Saint-Antoine, portions of which had been published as early as 1857. He devoted much of his time to an ongoing project,
Les Deux Cloportes (The Two Woodlice), which later became
Bouvard et Pécuchet, breaking from the obsessive project only to write the
Three Tales in 1877. This book comprised three stories:
Un Cœur simple (
A Simple Heart),
La Légende de Saint-Julien l'Hospitalier (
The Legend of St. Julian the Hospitaller), and
Hérodias (
Herodias). After the publication of the stories, he spent the remainder of his life toiling on the unfinished
Bouvard et Pécuchet, which was posthumously printed in 1881. It was a grand satire on the futility of human knowledge and the ubiquity of mediocrity. He believed the work to be his masterpiece, though the posthumous version received lukewarm reviews. Flaubert was a prolific letter writer, and his letters have been collected in several publications.
Work and legacy
Flaubert's curious modes of composition favored and were emphasized by these peculiarities. He worked in sullen solitude, sometimes occupying a week in the completion of one page, never satisfied with what he'd composed, violently tormenting his brain for the best turn of a phrase, the final adjective. His incessant labors were rewarded. His private letters show that he wasn't one of those to whom easy and correct language came naturally; he gained his extraordinary perfection with the unceasing sweat of his brow. Many critics consider Flaubert's best works to be models of style.
That he was one of the greatest writers who ever lived in France is now commonly admitted, and his greatness principally depends upon the extraordinary vigour and exactitude of his style. Less perhaps than any other writer, not of France, but of modern Europe, Flaubert yields admission to the inexact, the abstract, the vaguely inapt expression which is the bane of ordinary methods of composition. He never indulgently or wearily went on, leaving behind him a phrase which almost expressed his meaning. As a writer, Flaubert was nearly equal parts
romantic,
realist, and pure stylist. Hence, members of various schools, especially realists and formalists, have traced their origins to his work. The exactitude with which he adapts his expressions to his purpose can be seen in all parts of his work, especially in the portraits he draws of the figures in his principal romances. The degree to which Flaubert's fame has extended since his death presents an interesting chapter of literary history in itself. He is also accredited with spreading the popularity of the color Tuscany Cypress, a color often mentioned in his chef-d'oeuvre Madame Bovary.
The publication of
Madame Bovary in 1857 was followed by more scandal than admiration; it wasn't understood at first that this novel was the beginning of something new: the scrupulously truthful portraiture of life. Gradually, this aspect of his genius was accepted, and it began to crowd out all others. At the time of his death he was widely regarded as the most influential French Realist. Under this aspect Flaubert exercised an extraordinary influence over
Guy de Maupassant,
Edmond de Goncourt, Alphonse Daudet, and
Zola. Even after the decline of the Realist school, Flaubert didn't lose prestige in the literary community; he continues to appeal to other writers because of his deep commitment to aesthetic principles, his devotion to style, and his indefatigable pursuit of the perfect expression.
He can be said to have made
cynicism into an art form, as evinced by this observation from 1846:
» To be stupid, and selfish, and to have good health are the three requirements for happiness; though if stupidity is lacking, the others are useless.
His
Œuvres Complètes (8 vols., 1885) were printed from the original manuscripts, and included, besides the works mentioned already, the two plays,
Le Candidat and
Le Château des cœurs. Another edition (10 vols.) appeared in 1873–1885. Flaubert's correspondence with
George Sand was published in 1884 with an introduction by
Guy de Maupassant.
He has been admired or written about by almost every major literary personality of the 20th century, including
philosophers and
sociologists such as
Pierre Bourdieu and
Jean Paul Sartre whose partially psychoanalytic portrait of Flaubert in
The Family Idiot was published in 1971.
Georges Perec named
Sentimental Education as one of his favorite novels. The Peruvian novelist
Mario Vargas Llosa is another great admirer of Flaubert. Apart from
Perpetual Orgy, which is solely devoted to Flaubert's art, one can find lucid discussions in Vargas Llosa's recently published
Letters to a Young Novelist.
Bibliography
Major works
Correspondence (in French)
Correspondance, I–V; edited by Jean Bruneau and Yvan Leclerc. Gallimard.
Correspondence (in English)
Selections:
- Selected Letters (ed. Francis Steegmuller, 1953, 2001)
- Selected Letters (ed. Geoffrey Wall, 1997)
Flaubert in Egypt: A Sensibility on Tour
(1972)
Flaubert and Turgenev, a Friendship in Letters: The Complete Correspondence (ed. Barbara Beaumont, 1985)
Correspondence with George Sand:
- The George Sand-Gustave Flaubert Letters, translated by Aimée G. Leffingwel McKenzie (A.L. McKensie), introduced by Stuart Sherman (1921), available at the Gutenberg website as E-text N° 5115
- Flaubert-Sand: The Correspondence (1993)
Biographical and other related publications
Brown, Frederick, Flaubert: A Biography, Little, Brown; 2006. ISBN 0-316-11878-8
Hennequin, Émile, Quelques écrivains français Flaubert, Zola, Hugo, Goncourt, Huysmans, etc., available at the Gutenberg website as E-text N° 12289
Barnes, Julian, Flaubert's Parrot, ISBN 0-330-28976-4
Steegmuller, Francis, Flaubert and Madame Bovary: A Double Portrait, Viking Press; 1939.
Tooke, Adrianne, Flaubert and the Pictorial Arts: From Image to Text, Oxford University Press;
2000. ISBN 0-19-815918-8
Wall, Geoffrey, Flaubert: A Life, Faber and Faber; 2001. ISBN 0-571-21239-5
Various authors, The Public vs. M. Gustave Flaubert, available at the Gutenberg website as E-text N° 10666.
Sartre, Jean-Paul. The Family Idiot: Gustave Flaubert, 1821-1857, Volumes 1-5. University Of Chicago Press, 1987.Further Information
Get more info on 'Gustave Flaubert'.
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